Katy Perry goes yard on softball questions like that.
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Hmmm, how to visually bring to life a song that equates a romantic encounter with a seismic sea wave capable of killing thousands, ruining lives, crippling economies? Of course there was a dude pole-dancing on a flower Yes, but the dancers’ leather bodysuits were black, in this case. We know what you’re thinking, ‘Hey, didn’t I see that exact same scene the last time the Mormon Tabernacle Choir was on tour?’ Without giving the near-capacity crowd time to answer, Perry was soon evading a winged stilt-walker costumed like an extraterrestrial fly in front of a massive silver Venus flytrap with pink tentacles.īefore long, Perry was lounging on a big fig leaf as scantily clad dancers used huge salt and pepper shakers to season her in glitter.
“Do you believe in aliens?” Perry asked by way of introducing the clapping beats and throbbing futurofunk of “E.T.” ‘Arrival’ in hot pants? ‘War of the Worlds’ in pleather leotards? Mercifully, parachute pants were not involved. Perry’s latest record is hit-or-miss mash of modern electropop and ’80s new wave, and this production followed suit, with near-constant allusions to the era of Reaganomics and butt-ugly leg warmers, from the Pac-Man motif of “Part of Me” to her covering a portion of Janet Jackson’s “What Have You Done For Me Lately.” The stage was a marvel: From a massive eye-shaped video screen extended a catwalk shaped like a flowing tear, flanked by a smaller stage designed to look like a solitary teardrop. It was like “Alice in Wonderland” with Punky Brewster in place of Alice, as evocative of the ’80s as “Alf,” “Flashdance” and brick-thick shoulder pads.Īll “Miami Vice”-worthy pastels and nod after nod to the neo-expressionist art of the decade in question, Perry’s stage design was truly befitting a child of 1984. Instead, we’ll simply share the top four “Say what?” moments from Perry’s “Witness” tour stop in Vegas:
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Things we learned: That Perry’s parents were married in Vegas, that her mom’s nickname for her is “Feather” and that a chin-stroking assessment of Perry’s performance would be about as useful as a designated driver at an O’Douls kegger. Katy Perry used this anachronistic stage prop to call her mother midway her show at T-Mobile Arena on Saturday. Benjamin Hager Las Vegas Review-Journal 5-feet-tall hot pink rotary phones are involved, critical analysis becomes moot. Katy Perry, left, performs during her Witness Tour on Saturday, January 20, 2018, at T-Mobile Arena, in Las Vegas.
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